“Finding healing and the self in art: ‘Negative Capability’ at Gallery 110 presents artists’ introspection amid beautiful uncertainty...Carol Adelman Kennedy, too, examines gender roles in some of their self-portraits. In one, Kennedy wears a neck ruff like Elizabeth I, the Virgin Queen, in “Portrait of the Artist as a Virgin,” and also as a man in “Portrait of the Artist as a Man (after Titian).” In this one inspired by Renaissance artist Titian, Kennedy gazes candidly out of the canvas, shades of red and orange clashing together on their face. Kennedy’s portraits are an exploration of the different selves that can inhabit one body.”