Bibliography

Matthew Kangas, Carol Adelman: House of Mirth, Review, Visual Art Source, August 10, 2024

Matthew Kangas, Carol Adelman: Houses of Mirth, Highlight, Preview Art Magazine, June-August 2024, https://preview-art.com/highlight/carol-adelman-house-of-mirth/

Shanak, Finding healing and the self in art: ‘Negative Capability’ at Gallery 110 presents artists’ introspection amid beautiful uncertainty, Real Change News Jan 25, 2023

Matthew Kangas, Negative Capability: The Artist as Healer, Highlight, Preview Art Magazine, https://preview-art.com/highlight/negative-capability-the-artist-as-healer/, Nov 2022-Jan 2023

Matthew Kangas, Three Brilliant Artists You Have Never Heard Of, Feature article, Visual Art Source, https://www.visualartsource.com/index.php?page=editorial&aID=5629

Regina Hackett, Outside the mainstream - women who move mountains, Art Journal, Another Bouncing Ball, www.artsjournal.com/anotherbb/2010/02/outsidethemainstream---women.html, February, 14, 2010 

Joey Veltkamp, (interview) Carol Adelman/Kittredge Gallery, Best Of: A Northwest-centric Artblog http://joeyveltkamp.blogspot.com/2009/03/carol-mallett-adelman-kittredge-gallery.html, March 17, 2009

Barbara Ryan, Face Value, Fine Art Gallery at Broward County Community College, catalogue

Alec Clayton, Beatrice Geller & friends hang at Pacific Lutheran University, The Weekly Volcano April 26, 2007

Maura Doern, The Body Show, (Catalog), AIP Gallery, Pgh. PA

Review: Victorias Ellison, "Reality Bites: Two Shows Turn Art History of its Ear", Seattle Weekly, January 27,2000,Pg. 31

Debbie Lester, "Eye, I", b/w reproduction, Art Access, February 2000

Biography, Who’s Who in the West, Millennium Edition, Marquis Who’s Who, 2000

Ann Seeley, Pratt Instructors Exhibition, Art Access, 1998, November

Debbie Lester "What Timing", b/w reproduction, Art Access, May 1997

Review: Sarah Grusin, "Galleries, Rest of the Best", Washington Flyer, M/J

Eve Zibart, "On the Town, Apperatif", Washington Post, May 14, 1993

Review: Pamela Kessler, "Museums & Galleries" Washington Post, Dec. 17, 1987